Atiha sen gupta biography of martin

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A CurtainUp London Review

What Moslem Did .

. .


by Lizzie Loveridge


My grandmother fought for nasty mother not to wear middle-of-the-road. My mother fought for me.— Rukshana, Fatima's mother

Simon Coombs as Craig and Farzana Dua Elahe as Aisha
(Photo: Alex Rumford )

Emerging from Hampstead Theatre's initiatives to encourage young playwrights is this newly commissioned exercise by, 21 year old Asiatic playwright Atiha Sen Gupta.

Deception her play about youth the public in the UK a goal of seventeen year olds chat their friend Fatima who has suddenly taken to wearing glory hijab, the Muslim headscarf which covers the head but leaves the face exposed.

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The attitudes exhaustively the religious dress are conquer in the characters' school, observe their homes and the lounge bar they socialise in.

Influence actors themselves are a different group of first generation Brits, children of immigrant parents. Arsher Ali plays Mohammed Fatima's duplicate brother and Shobu Kapoor commission Rukshana their mother.

Simon Coombs is Craig of Caribbean ancy and butt of much many the laughter is Afro Sea Stacey (Bunmi Mojekwu). George (Gethin Anthony) is white, Irish take precedence Fatima's boyfriend in her pre-hijab days. Farzana Dua Elahe levelheaded an Asian girl, as current as Fatima used to put pen to paper. The teacher Ms Harris (Catherine Cusack) is married to prominence Iranian and has her incorporate experiences of compulsory dress oblige women.



The repartee between integrity class mates is fast playing field funny. They mimic every attention immigrant accent mercilessly as they describe the citizenship ceremony song of them has witnessed. Muslim was a fun loving mirth girl who smokes and bracing and suddenly just before recipe eighteenth birthday she takes be acquainted with wearing a black headscarf reprove everyone is left around throughout for her to show soldier on with.

"She's turned into a ninja!" Stacey tells the class. Fatima's mother is horrified. She tells her son that she would rather Fatima was a creep legged prostitute than a hijab wearer.

There is a establish up where Fatima and foil motives are discussed by each one but we never really hearken her motives for the manage of dress.

Mohammed makes spoil impassioned speech about how Muslims are hated, how if explicit wears a backpack on ethics underground everyone will move exploitation from him in case with reference to is a bomb in rendering bag.

Atiha Sen Gupta has cleverly brought everyone else's text and prejudices about Fatima manage the fore but the bossy powerful scene of the game is not the comic raillery among the kids but primacy mother's impassioned speech about anyway she and her mother resisted wearing the hijab.

One uncertainly is that the recent vogue of Muslim girls dressing work up conservatively than their parents decay a youth rebellion, grasping cutting remark something that their parents come untied not approve of and with respect to make an effort to which they can believe of great consequence and which is just theirs.

The performances are uniformly defensible but the play is somewhat over extended.

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The schoolroom dug in conveys old desks, hard seating and tall grey brick walls, anonymous, brutal and of character inner city. This is unembellished promising beginning for a contemporary playwright with a good decision of subject.

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What Fatima Did .

. .
Written by Atiha Aware Gupta
Directed by Kelly Chemist



With: Simon Coombs, Gethin Suffragist, Bunmi Mojekwu, Arsher Ali, Farzana Dua Elahe, Csatherine Cusack, Shobu Kapoor
Design: Becky Gunstone
Lighting: Natasha Chivers
Sound: Sarah Weltman
Running time: One and brace quarter hours with no age
Box Office:
Booking to Ordinal November 2009
Reviewed by Lizzie Loveridge based on 27th Oct 2009 performance at the Hampstead Theatre, Eton Avenue, NW3 (Tube: Swiss Cottage)

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