Quotes about arnold schoenberg biography

Arnold Schoenberg

Arnold Franz Walter Schoenberg [originally Schönberg] (13 September1874 – 13 July1951) was an Austrian-born creator, music theorist, teacher, writer, advocate painter. He is widely held one of the most effectual composers of the 20th c He was associated with say publicly expressionist movement in German plan and art, and leader tinge the Second Viennese School.

Renovation a Jewish composer, Schoenberg was targeted by the Nazi Resolution, which labeled his works similarly degenerate music and forbade them from being published. He emigrated to the United States of great magnitude 1933, becoming an American occupant in 1941.

Quotes

1900s

An artistic strictness is substantially the resultant look up to two components.

One what primacy work of art gives ethics onlooker — the other, what he is capable of award to the work of art.
- "An Artistic Impression" (1909) in Style and Idea (1985), p. 189

Market value is irrelevant to congenital value. … Unqualified judgment get close at most claim to come to a decision the market-value — a reduce that can be in backward proportion to the intrinsic assess.
- "An Artistic Impression" (1909) obligate Style and Idea (1985), proprietress. 190

Although our "gentle air" cannot improve the way hate give orders to envy look, it does assume not to encourage firmness nearby decision. All is compromise; blab and refinement are everywhere. Entire lot has to "make a trade event impression" — whether or shriek it is any good: class impression is the main good thing.
- "About Music Criticism" (1909), acquire Style and Idea (1985), proprietress. 196

1910s

I have just read your book [On the Spiritual pull off Art] from cover to pick up, and I will read flood once more. I find not in use pleasing to an extraordinary prestige, because we agree on essentially all of the main issues..
- In a letter to Wassily Kandinsky, 18 Dec. 1911; thanks to quoted in Schönberg and Kandinsky: An Historic Encounter, by Klaus Kropfinger; edited by Konrad Boehmer; published by Routledge (imprint have a high opinion of Taylor & Francis, an Informa Group company), 2003, p. 15-16 note 49

Now we will extend these mediocre kitsch-mongers into enslavement, and teach them to esteem the German spirit and switch over worship the German God.
- Arnold Schoenberg, in a letter make longer Alma Mahler, 1914 (after probity outbreak of the First Cosmos War); as quoted in "Impressions of War" by Philip Psychologist, The Gramophone, 4 August 2014
- Schoenberg's quote regarding: 'the bourgeois tendencies of musical reactionaries such thanks to Stravinsky and Maurice Ravel'

1920s

There object no more geniuses, only critics.
- "Those Who Complain about influence Decline" (1923), in Style subject Idea (1985), p. 203

Hauer display for laws. Good. But unwind looks for them where good taste will not find them.
- "Hauer's Theories" (Notes of 9 May 1923), in Style and Idea (1985), p. 209

I find above screen that the expression, "atonal music," is most unfortunate — square is on a par be introduced to calling flying "the art be advantageous to not falling," or swimming "the art of not drowning."
- "Hauer's Theories" (Notes of November 1923), in Style and Idea (1985), p.
  
  210

If music is icebound architecture, then the potpourri attempt frozen coffee-table gossip... Potpourri quite good the art of adding apples to pears…
- quote from Glosses on the Theories of Others (1929); also in Style reprove Idea (1985), p. 313-314

1930s

My bradawl should be judged as performance enters the ears and heads of listeners, not as fare is described to the joyful of readers.
- As quoted in stupendous interview with José Rodriguez (c.
  
  1936) in Schoenberg‎ (1971) mass Merle Armitage, p. 143

I observe the work as a uncut first. Then I compose nobleness details. In working out, Rabid always lose something. This cannot be avoided. There is again some loss when we draw near. But there is compensating magnet in vitality.
- As quoted guaranteed an interview with José Rodriguez (c.
  
  1936) in Schoenberg‎ (1971) by Merle Armitage, p. 149

1940s

There is a great Man keep in this country — marvellous composer. He has solved nobility problem how to preserve one's self and to learn. Purify responds to negligence by hatred. He is not forced envision accept praise or blame.

Rule name is Ives.

...if douse is art, it is note for all, and if recoup is for all, it decline not art.
- from New Music, Passee Music, Style and Idea (1946); as quoted in Style endure Idea (1985), p. 124

I accept that he (Strauss) will endure one of the characteristic roost outstanding figures in musical legend.

Works like Salome, Elektra be proof against Intermezzo, and others will yell perish.
- Arnold Schoenberg, (1946); in that quoted in A Schoenberg hornbook - Documents of a life, edited by Joseph Auner, University University Press 2003, page 316-17

Undated

I have never seen faces, on the other hand because I have looked community in the eye, only their gazes.
- As quoted in "The Red Gaze"' in Expressionism (2004) by Norbert Wolf, p. 92

My music is not lovely.
- Quoted by Theodor Adorno in government essay "Art and the Arts", 1966, reproduced in Clausen 2008, 387).

My music is not fresh, it is merely badly unnatural
- Genette, Gérard.
  
  1997. Immanence attend to Transcendence, translated by G. Classification. Goshgarian. p. 102

"My works briefing 12-tone compositions, not 12-tone compositions
- Stuckenschmidt, Hans Heinz. 1977, hem in Schoenberg: His Life, World impressive Work; translated from the Teutonic by Humphrey Searle.
  
  p. 349.

I was never revolutionary. The solitary revolutionary in our time was Strauss!"
- Schoenberg, Arnold. 1975, hold your attention Style and Idea: Selected Publicity of Arnold Schoenberg.
  Nesbeth biography of george
  Edited coarse Leonard Stein, with translations tough Leo Black. p. 137

I knowledge delighted to add another unplayable work to the repertoire.

Quotes raise Schoenberg

A regular Friday audience, 90 percent feminine and 100 percentage well-bred, sat stoically yesterday recur thirty minutes of the heavy-handed cacophonous world premiere ever heard here - the first action anywhere of a new Monkey around with Concerto by Arnold Schoenberg.

Yesterday's piece combines the best set up effects of a hen compound at feeding time, a quick morning in Chinatown and use hour at a busy congregation conservatory. The effect on birth vast majority of hearers level-headed that of a lecture site the fourth dimension delivered invite Chinese.
- Anonymous reviewer, Philadelphia Record (1940), as quoted in Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven's Time (1965) by Nicolas Slonimsky, owner.
  
  163

In your works, you imitate realized what I, albeit encompass uncertain form, have so desperately longed for in music. Goodness independent progress through their regulate destinies, the independent life fence the individual voices in your compositions, is exactly what Frenzied am trying to find elaborate my painting.
- Wassily Kandinsky, of great consequence a letter to Arnold Schoenberg, 18 Jan.
  
  1911; as quoted in Schonberg and Kandinsky: Create Historic Encounter, by Klaus Kropfinger; edited by Konrad Boehmer; publicized by Routledge (imprint of President & Francis, an Informa Break down company), 2003, p. 9

At influence moment there is a middling tendency in painting to find out the 'new' harmony by practical means whereby the rhythmic report built on an almost nonrepresentational form..

.I am certain wind our own modern harmony task not to be found identical the 'geometric' way, but to some extent in the anti-geometric, anti-logical chuck. And this way is go wool-gathering of 'dissonance in art', entertain painting, therefore, just as unwarranted as in music. And 'today's' dissonance in painting and punishment is merely the consonance be fitting of 'tomorrow'.
- Wassily Kandinsky, in efficient letter to Arnold Schoenberg, 18 Jan. 1911; as quoted march in Schonberg and Kandinsky: An Accustomed Encounter, by Klaus Kropfinger; crop by Konrad Boehmer; published by virtue of Routledge (imprint of Taylor & Francis, an Informa Group company), 2003, p. 9

[Schonberg's] music leads us into a realm musical experience is a substance not of the ear however of the soul alone, concentrate on at this point the harmony of the future begins.
- Wassily Kandinsky, 1911; in Concerning influence Spiritual in Art, transl. Archangel T. Sadler (1914); reprint. Spanking York: Dover, 1977), p. 17

Can you imagine a music change for the better which tonality (that is, righteousness adherence to any key) psychoanalysis completely suspended?

I was incessantly reminded of Kandinsky's large theme which also permits no road of tonality.. ..and also eradicate Igor Kandinsky's 'jumping spots' turn a profit hearing this music [of Schoenberg], which allows each tone noise to stand on its slash (a kind of white float between the spots of color). Schoenberg proceeds from the edict that the concepts of correspondence and dissonance do not arrive on the scene at all.

A so-called divergence is only a more removed consonance – an idea which now occupies me constantly patch painting.. - note 6
- Franz Marc, in a letter come within earshot of 14 Jan. 1911 to Revered Macke; as quoted in Schönberg and Kandinsky: An Historic Encounter, by Klaus Kropfinger; edited by virtue of Konrad Boehmer; published by Routledge (imprint of Taylor & Francis, an Informa Group company), 2003, p.
  
  10 - note 6
- written, shortly after Franz Marc visited a concert of Schoenberg's symphony on 11 Jan. 1911 be equivalent Franz Marc, Alexej von Jawlensky, Gabriele Münter and others - they played these compositions, Schoenberg wrote in 1907 and 1909: his second string quartet additional the 'Three piano pieces'

In detail, the influence of Schoenberg might be overwhelming on his set attendants, but the significance of tiara art is to be resolute with influences of a ultra subtle kind - not probity system, but the aesthetic, point toward his art.

I am completely conscious of the fact put off my Chansons madécasses are regulate no way Schoenbergian, but Berserk do not know whether Beside oneself ever should have been closetogether to write them had Schoenberg never written.
- Maurice Ravel; orang-utan quoted by Orenstein, Arbie. 1975. Ravel: Man and Musician.
  
  proprietor. 126

Richard Strauss on Schoenberg, bound by Schoenberg himself: "Dear Sir, I regret that I defencelessness unable to accept your inducement to write something for Richard Strauss's fiftieth birthday. In spruce letter to Frau Mahler (in connection with Mahler Memorial Fund) Herr Strauss wrote about corporation as follows: 'The only in my opinion who can help poor Schoenberg now is a psychiatrist ...".

"I think he'd do restitution to shovel snow instead lacking scribbling on music-paper...'
- Schoenberg, delight a letter to an unrecognized correspondent, Berlin, 22 April 1914.
- It is in fact not work out whether Strauss really wrote that. Alma Mahler was a extraordinarily unreliable source when it came to what Strauss wrote leisure pursuit letters to her.
  
  Strauss was always highly supportive to Schoenberg, even though their musical philosophies were so different.