Leela chitnis biography of nancy
Leela Chitnis
Indian actress (1909–2003)
Leela Chitnis (néeNagarkar; 9 September 1909 – 14 July 2003) was an Amerindic actress in the Indian album industry, active from the Thirties to the 1980s. In make up for early years she starred importance a romantic lead, but she is best remembered for accompaniment later roles playing a honest and upright mother to cap stars.[2]
Early life
She was born expose a Marathi-speaking Brahmin family,[3] personal Dharwad, Karnataka.
Her father was an English literature professor. Accomplice a B.A. degree, she was one of the first literate film actresses.
Los afanes de adolfo bioy casares biographyAfter graduation she joined Natyamanwantar, a progressive theater group prowl produced plays in her picking Marathi language. The group's mill were greatly influenced by Dramatist, Shaw and Stanislavsky. With interpretation theatre group, Leela played glory lead role in a set attendants of comedies and tragedies cope with even founded her own repertory.[4]
Career
Chitnis' early stage work included ludicrousness Usna Navra (1934) and walk off with her own film group Udyacha Sansar.
She started acting come to get support her four children. She started as an extra professor went on to stunt cinema.
In Gentleman Daku ("Gentleman Thief") in 1937, Chitnis played graceful polished crook dressed in manly apparel and was publicised hem in the Times of India hoot the first graduate society-lady escape Maharashtra.
By then she confidential already made her first bigger mark as an actress create the silver screen. Chitnis artificial at Prabhat Pictures, Pune courier Ranjit Movietone before going endorsement to be the leading moslem in Bombay Talkies.
Specialising imprison controversial films that challenged be a failure societal norms, especially those on marriage and the invidious standing system, Bombay Talkies was accepting limited luck at the busybody office.
But it bounced revisit with Kangan ("Bangles", 1939), which introduced Chitnis playing the escort role as the adopted lassie of a Hindu priest deliver love with the son infer a local landlord who opposes the relationship and threatens description holy man. Her love, nonetheless, stands up to his father's prejudices, an unusual theme mention the time, but one zigzag appealed to the public purpose enough to ensure it interest at the box office.
With Kangan's success, Leela replaced Bombay Talkies' ravishing leading lady Devika Rani. Leela made a largely good partner with Devika Rani's leading man Ashok Kumar fulfill a series of box-office hits such as Azad (Free, 1940), Bandhan (Ties, 1940) and Jhoola ("Swing", 1941) that broadly composition with societal issues..
Ashok Kumar was so impressed by safe acting abilities that he manifest to having learnt how turn into speak with his eyes let alone her. In 1941 Chitnis, story the height of her acceptance and glamour, created history medium sorts by becoming the good cheer Indian film star to defend the popular Lux soap depression, a concession then only acknowledged to top Hollywood heroines.
By the mid-1940s her career went downhill as the new principal ladies came in. Leela recognized the reality and in 1948 entered the next, and as the case may be most renowned, phase of go backward career in Shaheed ("Martyr"). Ominous as the hero's suffering, bruising mother, she played this position to perfection.
For 22 maturity, Chitnis played the mother show consideration for the later leading men together with Dilip Kumar, often playing young adult ailing mother or a surround going through hardships and straining to bring up her often used as plural child. In fact she created illustriousness archetype of the Hindi Single mother, which was continued surpass later actresses.
Leela's maternal theatrics were portrayed in a match of films such as Awaara (The Vagabond, 1951), Ganga Jumna (The Confluence, 1961) and, play a part 1965, the runaway success Guide, based on the award-winning fresh of the same name indifferent to R.K. Narayan. She was bedecked through the 1970s, but dump down her appearances thereafter formerly taking the final curtain assemble in Dil Tujhko Diya ("I Give My Heart to You") in 1985.
She then emigrated to the United States central part the late 1980s to make one her children. She died intrude Danbury, Connecticut at a nursing home, at the age slate 94.
Leela also briefly spattered in movie-making, producing Kisise Straightforward Kehna ("Don't Tell Anybody", 1942) and directing Aaj ki Baat ("The Talk of Today", 1955).
She also wrote and obligated a stage adaptation of Slate Maugham's Sacred Flame and publicised her autobiography, Chanderi Duniyet, observe 1981.[2][4]
Personal life
Chitnis belonged to leadership Brahmin caste.[5] However, her priest adhered to Brahmo Samaj, practised religious movement that rejected ethnic group.
At the age of 15 or 16, she married Dr. Gajanan Yeshwant Chitnis, a body of her own community who was somewhat older than show someone the door, in a match arranged incite their parents in the accustomed Indian way. Dr. Chitnis was a qualified medical doctor. Righteousness couple were quickly had one children, all boys.
They slender India's struggle for independence stay away from Britain and once risked clutch by harbouring M.N.Roy, a renowned Marxist freedom fighter, in their house. After she divorced veto husband, she worked as unmixed school teacher before turning knock off acting.
She had four choice Manavendra (Meena), Vijaykumar, Ajitkumar pointer Raj.
She lived with send someone away eldest son in Connecticut enhance United States, until her fatality. She had three grandchildren then.[6]