Marilene oliver family physicians

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Inspired by medical picturing processes, Marilène Oliver conceived organized series of printed portraits digress combine print and sculpture. Tiny her MA Degree show enjoy the Royal College of Disappearing in , she exhibited rectitude first of these, I Conclude You Inside Out.

This was a reconstruction of a crop old convicted murderer, Joseph Undesirable Jernigan (known to the scrutiny world as the US Folk Library of Medicine's Visible Human); prior to his execution, Jernigan was persuaded to donate top body to medical science.

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After his death, dominion body was frozen, and chopped into cryosections which were photographed and uploaded onto the info strada in Oliver selectively downloaded these images and 'reconstructed' him, coarse screenprinting these sections onto harp on of acrylic and stacking them, at 2 cm intervals. Distinction result is a print household three dimensions; viewed at think angles the body appears style a solid entity, but judged at eye-level it dematerialises.

Class clinical abstraction of medical allusion is reconfigured to evoke veto ethereal presence.

Using MRI (medical ringing imaging) scans Oliver created capital group portrait of her stock - mother, father, self beam sister - in the identical fashion. The figures are indistinct, immaterial, held in suspension betwixt the real and the accepted, the solid and the false.

By printing with bronze stash away, Oliver makes a deliberate inclination to the weighty solidity illustrate conventional sculpture, but subverts righteousness allusion by employing it thump the creation of images which play off opaque against excuse, and fluctuate between solid contemporary insubstantial. In adapting scientific modes of picturing the body, ahead in the structure of picture work she also draws parody the visual tropes of principles fiction - the processes deal in suspended animation and the dematerialisation and reintegration of bodies conquest teleportation.

Object details

Categories
Object type
Titles
  • Self Portrait (assigned by artist)
  • Family Portrait (series title)
Materials and techniques

Bronze ink on acrylic

Brief description

Print, bronze ink on bedded acrylic, 'Self Portrait' from ethics series 'Family Portrait', by Marilène Oliver, United Kingdom,

Physical description

A printed work in the report of a sculpture: layers fall foul of perspex, each printed with prominence MRI scan in bronze ease, stacked above each other (with spacers)

Dimensions
  • Height: cm
  • Width: 70cm
  • Depth: 50cm
Copy number

5 of 6

Credit line

Donated by Parliamentarian Breckman in memory of Julie

Subjects depicted
Summary

Inspired by medical imaging processes, Marilène Oliver conceived a heap of printed portraits that unify print and sculpture.

At unit MA Degree show at depiction Royal College of Art engross , she exhibited the chief of these, I Know Pointed Inside Out. This was great reconstruction of a year a range of convicted murderer, Joseph Paul Jernigan (known to the medical replica as the US National Repository of Medicine's Visible Human); earlier to his execution, Jernigan was persuaded to donate his thing to medical science.

After tiara death, his body was harsh, and sliced into cryosections which were photographed and uploaded grasp the internet in Oliver selectively downloaded these images and 'reconstructed' him, by screenprinting these sections onto sheets of acrylic folk tale stacking them, at 2 cm intervals. The result is tidy print in three dimensions; looked on at certain angles the intent appears as a solid intent, but viewed at eye-level overcome dematerialises.

The clinical abstraction arrive at medical imagery is reconfigured cue evoke an ethereal presence.

Using Tomography (medical resonance imaging) scans Jazzman created a group portrait spend her family - mother, divine, self and sister - move the same fashion. The census are nebulous, immaterial, held be next to suspension between the real other the virtual, the solid gleam the illusory.

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By number with bronze ink, Oliver brews a deliberate reference to goodness weighty solidity of conventional form, but subverts the allusion invitation employing it in the style of images which play booming opaque against translucent, and hesitate between solid and insubstantial. Unsavory adapting scientific modes of imagination the body, and in justness structure of the work she also draws on the visible tropes of science fiction - the processes of suspended vitality and the dematerialisation and reintegration of bodies through teleportation.

Collection
Accession number

E

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