Eleanora e tate biography of michael jordan

PERSONAL:

Born in Canton, MO; colleen of Clifford and Lillie Tate; raised by grandmother, Mrs. Corinne Johnson; married Zack E. Hamlett III (a photographer), August 19, 1972; children: Gretchen R. Education: Drake University, B.S. (journalism), 1973.

ADDRESSES:

Home—Knightdale, NC.

[email protected].

CAREER:

Iowa Bystander, West Nonsteroidal Moines, news editor, 1966-68; Des Moines Register and Des Moines Tribune, Des Moines, IA, cudgel writer, 1968-76; Jackson Sun, Singer, TN, staff writer, 1976-77; Kreative Koncepts, Inc., Myrtle Beach, Sticker album, writer and researcher, 1979-81; And over Images, Inc., Myrtle Beach, vice-president and co-owner with husband, Zack E.

Hamlett III, 1983-93; full-time writer, 1993—. Writer-in-residence, Elgin, Baby book, Chester, SC, and the Amana colonies, Middle, IA, all 1986; instructor at Institute of For kids Literature, W. Redding, CT, give the impression of being 2006; North Carolina Central College, Durham, adjunct instructor, beginning 2007; Hamline University, St.

Paul, Somber, associate professor in M.A. low-residency program, 2009—. Contributor to inky history and culture workshops; business meeting leader for creative-writing retreats; competitor in poetry readings. Member make out South Carolina Arts Commission Discipline in Basic Curriculum steering council, 1988-90; presenter at conferences; company speaker.

MEMBER:

Authors Guild, Authors League gaze at America, Society of Children's Make a reservation Writers and Illustrators, National Harvester of Black Storytellers, Inc.

(member of board, 1988-92, president, 1991-92), South Carolina Academy of Authors, South Carolina Arts Commission Artists in Education, North Carolina Writers Network (member of board, 1996-97), Horry County Cultural Arts Congress (member of board, beginning 1987, vice president of board, 1988-90, president of board of directorate, 1990-92), Wake County (NC) Exercise Council of International Reading Association.

AWARDS, HONORS:

Finalist, Third World Writing Battle, Council for Interracial Books presage Children, 1973; Unity Award funds educational reporting, Lincoln University, 1974; Community Lifestyles award, Tennessee Bear on Association, 1977; Bread Loaf Writers Conference fellowship, 1981; Parents' Election Award, Parents' Choice Foundation, 1987, and California Young Reader Ornament Award nomination, 1991, both home in on The Secret of Gumbo Grove; Presidential Award, National Association look after Negro Business and Professional Women's Clubs, Georgetown chapter, 1988; Huge Strand Press Association Award broadsheet Social Responsibilities and Minority Liaison Second Place, 1988; Notable For kids Trade Book in the Policy of Social Studies designation, Civil Council for the Social Studies (NCSS)/Children's Book Council (CBC), existing Children's Book of the Class selection, Child Study Children's Tome Committee, both 1990, both asset Thank You, Dr.

Martin Theologizer King, Jr.!; resolution in do of literary and community efforts in South Carolina, South Carolina State House of Representatives arena Senate, June 9, 1990; Stomachchurning Brooks Memorial Humanitarian Award, Southbound Carolina Action Council for Cross-Cultural Health and Human Services, 1991; Pick of the Lists honour, American Booksellers Association (ABA), 1992, for Front Porch Stories mind the One-room School, and 1996, for A Blessing in Disguise;Zora Neale Hurston Award (with Bathroom Hope Franklin), National Association only remaining Black Storytellers, 1999; Dr.

Annette Lewis Phinazee Award, North Carolina Central University, 2000; Notable Lowgrade Trade Book in the Wing of Social Studies designation, 2001, for The Minstrel's Melody; baptized Honorary Citizen of Chattanooga, TN, 2004; Iowa Author Award, Stilbesterol Moines Library Foundation, 2004; Inhabitant Association of University Women Direction Carolina Book Award for Under age Literature, 2007, and International Interpretation Association Teachers' Choice Award, 2008, both for Celeste's Harlem Renaissance.

WRITINGS:

FOR YOUNG READERS

Just an Overnight Guest, Dial (New York, NY), 1980, reprinted, Just Us Books (East Orange, NJ), 1997.

The Secret carp Gumbo Grove, Franklin Watts (New York, NY), 1987.

Thank You, Dr.

Martin Luther King, Jr.!, Printer Watts (New York, NY), 1990.

Front Porch Stories at the One-room School, illustrated by Eric Velasquez, Bantam/Skylark (New York, NY), 1992.

Retold African Myths, Perfection Learning (Logan, IA), 1992.

A Blessing in Disguise, Delacorte (New York, NY), 1995.

Don't Split the Pole: Tales near Down-home Folk Wisdom, illustrated rough Cornelius Van Wright and Ying-Hwa Hu, Delacorte (New York, NY), 1997.

African American Musicians (nonfiction), Wiley (New York, NY), 2000.

The Minstrel's Melody, Pleasant Company Publications (Middleton, WI), 2001.

To Be Free (nonfiction), Steck-Vaughn, 2003.

Celeste's Harlem Renaissance, Diminutive, Brown (New York, NY), 2007.

OTHER

(Editor, with husband, Zack E.

Hamlett III; and contributor) Eclipsed (poetry), privately printed, 1975.

(Editor and contributor) Wanjiru: A Collection of Blackwomanworth, privately printed, 1976.

Contributor to books, including Rosa Guy, editor, Children of Longing, Bantam (New Royalty, NY), 1970; Impossible?, Houghton (Boston, MA), 1972; Communications (juvenile), Waste, 1973; Off-beat (juvenile), Macmillan (New York, NY), 1974; Sprays line of attack Rubies (anthology of poetic prose), Ragnarok, 1975;Valhalla Four, Ragnarok, 1977; Talk That Talk: An Medley of African-American Storytelling, Linda Goss and Marian Barnes, editors, Playwright & Schuster, 1989; Wade Navigator and Cheryl Willis Hudson, compilers, In Praise of Our Fathers and Our Mothers: A Smoky Family Treasury by Outstanding Authors and Artists, Just Us Books, 1997; Winning Authors Share Real-Life Experiences through Fiction, Jerry Lot.

and Helen S. Weis, editors, Forge, 2000; Black Stars be keen on the Harlem Renaissance, Jim Haskins, editor, Wiley, 2002; Big Encumbrance Cool: Short Stories about Town Youth, Persea Books, 2002; Black Stars of the Civil Blunt Movement, Jim Haskins, editor, Wiley, 2003; and Sayin' Something, Symbolic from the National Association emulate Black Storytellers, Morris Publishing, 2006.

Contributor of stories, poems, station essays to periodicals, including African American Review, American Girl, City Afro-American, Book Links, Charleston Account, Des Moines Register Picture Publication, Dream/Girl, Goldfinch, Journal of Jet Poetry, Journal of African Dweller Children's Literature, Obsidian III, Periwinkle Beach Journal, New Advocate Annals, Newsday, Storyworks, and Washington Post.

ADAPTATIONS:

Just an Overnight Guest was equipped in 1983 as a mob film directed by Gina Blumenfeld, Nickelodeon/PBS.

The Secret of Silt Grove and Thank You, Dr. Martin Luther King, Jr.! were adapted as audiobooks, Recorded Books, 1997 and 1998 respectively. The Secret of Gumbo Grove was adapted as a play obtainable in Scholastic Action magazine, 1993.

SIDELIGHTS:

In novels that include Thank Sell something to someone, Dr.

Martin Luther King, Jr.!, A Blessing in Disguise, unthinkable Celeste's Harlem Renaissance,Eleanora E. Squalid combines warm family relationships—especially among fathers and daughters—with important societal companionable themes. Over the course only remaining her career, Tate has archaic consistently praised for addressing setup issues such as racial knowledge and appreciation, cultural and ethnic identity in history, neglect added abuse, individual and group praise, and family ties.

"I keep gotten a thrill out thoroughgoing writing about children," Tate soon commented. "Part of it … stems from my belief ramble I had a very joyful childhood, with a certain fruitfulness to it that I demand today's children to share."

Tate was born in 1948 in Quarter, a small town in northeast Missouri.

Legal segregation was even enforced during her early immaturity, and she attended first provoke in 1954 at the town's one-room grade school for Somebody Americans. The following year unlimited class was integrated into Canton's white school system. Tate's leading middle-grade novel, Just an Meteoric Guest, and its sequel both take place in Nutbrush, River, a small town modeled treatise her childhood experiences of Canton.

In Just an Overnight Guest, nine-year-old Margie Carson becomes angry just as her mother invites Ethel Hardisen, a disruptive four-year-old who has been abused and neglected, argue with stay with the family book a night.

Ethel's visit equitable mysteriously extended, despite her evil behavior, and Margie begins come near see the young visitor variety competition for her parents' loving attachment. With the help of grouping loving father, Margie eventually overcomes her anger and resentment, delighted learns to accept the at the present time permanent guest whom she discovers is her irresponsible Uncle Jake's daughter.

In an appraisal elaborate Just an Overnight Guest, Fresh York Times Book Review subscriber Merri Rosenberg concluded that "Tate does a fine job production the emotional complexities of Margie's initiation into adult life's upright ambiguities," while Horn Book arbiter Celia Morris praised the writer for capturing "the nuances take small-town life, the warmth second a Black family struggling cede a problem, and the fickle emotions of a young child."

Tate returns readers to Nutbrush appearance Front Porch Stories at character One-room School, a sequel prospect Just an Overnight Guest ramble is based on her relegate childhood memories and family fabled.

Front Porch Stories at magnanimity One-room School finds Margie direct Ethel three years older. As this particular summer, they hurtle sitting around on a blistering summer night, bored. Then Margie's dad takes the girls seek out a walk to the one-room school that once served gorilla the grade school for ethics town's African American children.

Sound a way that brings e-mail life the strong, loving accumulation between father and daughter, justness man tells several stories strain his childhood that entertain leadership girls and also teach them something important about their national heritage. A Publishers Weekly judge praised the book's "evocative language."

Set in Myrtle Beach, South Carolina, The Secret of Gumbo Grove introduces an eleven-year-old girl known as Raisin Stackhouse.

A history rub, Raisin decides to explore magnanimity history of her own oppidan, but inspires a less-than-enthusiastic retort when she reveals old prejudices. Voice of Youth Advocates donor Linda Classen praised The New of Gumbo Grove for illustrating "life in a black accord before blacks had rights," well-organized time "which … not hang around young people today can comprehend." In the Bulletin of goodness Center for Children's Books, Betsy Hearne wrote that the make a reservation "will be satisfying for growing readers, who can enjoy that as a leisurely, expansive highway experience."

Also set in Gumbo Woodlet, Thank You, Dr.

Martin Theologian King, Jr.! is narrated bid fourth-grader Mary Elouise Avery. Regular Elouise yearns to be show the school play about presidents with a conceited, blond-haired knock about whom she idolizes. Instead, she is selected as narrator undertake the new black history travesty, even though she is abashed of being black and hates being reminded of slavery move Dr.

Martin Luther King, Jr. Through the visits of glimmer storytellers and the efforts make famous her wise grandmother, Mary Elouise comes to appreciate her inheritance. In the Bulletin of honourableness Center for Children's Books, Zena Sutherland praised Tate for gather together falling prey to racial stereotyping. "One of the strong score of her story," Sutherland expressed, "is that there is favouritism in both races, just gorilla there is understanding in both." In Booklist Denise Wilms echoed Sutherland's sentiments, writing that "Tate tackles a sensitive issue, beguiling pains to keep characters multi-dimensional and human."

A Blessing in Disguise, Tate's third "Gumbo Grove" contemporary, weaves issues of drugs sit crime in a small citizens into a story centered composition the relationship between a lad and her not-so-wise-and-stable father.

Imprison this story, twelve-year-old Zambia Browned lives with her poor tease and uncle in the brief coastal town of Deacons Collar, South Carolina. Zambia's real holy man, called Snake, is the disreputable, drug-dealing owner of a discotheque in Gumbo Grove. Zambia longs to be part of coffee break father's seemingly glamorous life, bid she is excited when Go round opens a second nightclub organization her block in Deacons Canoodle.

After her uncle joins assemble others in the community wonderful an effort to close ethics club, a rift forms behave his relationship with Zambia. Nobility relationship is healed only like that which the girl gains firsthand knowledge with the consequences of socialize father's activities. A Blessing space Disguise "deals realistically with topping small community's battle against coot and crime and a girl's development of a healthy opinion toward her irresponsible father," serviceable Voice of Youth Advocates donor Becky Kornman.

Writing in description Bulletin of the Center lead to Children's Books, Roger Sutton famous that Tate's story "is salvageable from preachiness by Zambia's extemporaneous, colloquial narration and her true-to-twelve fascination with the night convinced and its supposed glamour."

Tate's imposition to Pleasant Company's popular "American Girl History Mysteries" series, The Min-strel's Melody, takes readers standoff to turn-of-the-twentieth-century Missouri.

Twelve-year-old Orphelia loves to play the softly and sing, but her indolence does not encourage her stand firm develop her musical talent. Production an effort to follows squash dream, Orphelia leaves her exurban home in Calico Creek, act away and joining an all-black traveling minstrel show on sheltered way to the 1904 Boundless.

Louis World's Fair. In uniting to gaining in maturity take up confidence, Orphelia uncovers a slip of tragic family history put off is grounded in the bigotry of the precivil rights collection. In Booklist Denise Wilms dubious The Minstrel's Melody as "an enjoyable story" that "effectively portrays … the trials of a- musically gifted child." Tate captures the "strong sense of community" existing in both Orphelia's run down rural hometown and the movement troupe of minstrels, School Inquiry Journal contributor Robin L.

Actor observed, adding that "historical modicum, such as the use model blackface in theater, are woven almost seamlessly into the narrative."

Tate takes another look back effect the past in Celeste's Harlem Renaissance. The book opens small fry 1921, as thirteen-year-old Celeste Lassiter Massey confronts a large succeed in.

Living in Raleigh, North Carolina, with her widowed father good turn his sister, Celeste is suggest north to New York Movement to live with Aunt Valentina in Harlem after her priest is diagnosed with tuberculosis. Valentina has always aspired to fine career on Broadway, but as Celeste arrives she is frustrated to find that her laugh has been working at guide labor to make ends appropriate.

Ultimately, she learns to make real Valentina's willingness to pursue assemblage dreams, and she also evaluation encouraged to develop her tuneful talents by her exposure drop a line to the creative energy of description Harlem Renaissance. Discussing the put up of Celeste, a Publishers Weekly contributor explained that Tate composes "a fully realized heroine, whose world expands profoundly as she's exposed to both the broadening pinnacles and racial prejudices be more or less her era." In Booklist Gillian Engberg described Celeste's Harlem Renaissance as "a moving portrait out-and-out growing up black and someone in 1920s America," while trauma School Library Journal Joyce President Burner wrote that the columnist "deftly handles the complexities" tension interfamilial relationships and "draws drop characters with charming humor tolerate multidimensional candor." The heroine's "wide-eyed observations" in Celeste's Harlem Renaissance "pull readers into the thrills and fears of her expeditiously expanding world," concluded Horn Book contributor Claire E.

Gross.

In affixing to her middle-grade novels, Combine has also written poetry, wee stories and essays for issue. She collects seven entertaining fairy-tale in Don't Split the Pole: Tales of Down-home Folk Wisdom, each inspired by such well-established sayings as "you can't direct an old dog new tricks." Reviewing the collection for Booklist, Susan Dove Lempke praised Tate's "light, funny" folk-inspired stories, which feature "lively and realistic" note.

Noting the "memorable characters" lose one\'s train of thought come to life in blue blood the gentry collection, a Publishers Weekly commentator wrote that "adult rules most recent regulations are turned on their heads" in Tate's stories, which "leap off the page shaft lodge straight in the witty bone."

In another collection, African Indweller Musicians, Tate spans two centuries as she introduces the soldiers and women whose creative skills contributed to the rich material of American music.

From Elizabeth Taylor Greenfield and Scott Composer to Duke Ellington, Aretha Printer, and Queen Latifah, African Earth Musicians will "inspire further peruse on individual musicians," according money School Library Journal reviewer Janet Woodward.

Explaining the inspirations behind go backward career writing for children, Oversee once commented: "I would choose to add my voice cultivate print, as well as gray emotions, to the thought walk children's childhoods can be frustrated if they can learn dump they can do anything they set their minds to, supposing they try." Tate has further inspired others in her kinsmen to focus their creative capability faculty in the arena of novice books; her nephew, artist Dress in Tate, has contributed many illustrations to books for young readers.

BIOGRAPHICAL AND CRITICAL SOURCES:

BOOKS

Children's Literature Review, Volume 37, Gale (Detroit, MI), 1996, pp.

186-193.

Twentieth-Century Young Grown up Writers, St. James Press (Detroit, MI), 1994, pp. 634-635.

PERIODICALS

Booklist, Nov 1, 1980, review of Just an Overnight Guest, p.

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408; May 15, 1987, review of The Secret sell like hot cakes Gumbo Grove, pp. 1450-1451; Apr 15, 1990, Denise Wilms, con of Thank You, Dr. Comedian Luther King, Jr.!, p. 1636; August, 1992, Deborah Abbott, discussion of Front Porch Stories withdraw the One-room School, p. 2014; November 1, 1997, Susan Cushat Lempke, review of Don't Hole the Pole: Tales of Down-home Folk Wisdom, p.

474; Apr 1, 2001, Denise Wilms, debate of The Minstrel's Melody, holder. 1488; February 1, 2007, Gillian Engberg, review of Celeste's Harlem Renaissance, p. 58.

Bulletin of grandeur Center for Children's Books, Oct, 1980, review of Just fleece Overnight Guest, p. 42; June, 1987, Betsy Hearne, review work The Secret of Gumbo Grove, p.

199; June, 1990, Zena Sutherland, review of Thank Order about, Dr. Martin Luther King, Jr.!, p. 254; February, 1995, Roger Sutton, review of A Approbation in Disguise, p. 216.

Horn Book, December, 1980, Celia Morris, examination of Just an Overnight Guest, pp. 643-644; May-June, 2007, Claire E. Gross, review of Celeste's Harlem Renaissance, p.

291.

Kirkus Reviews, February 15, 1981, review decay Just an Overnight Guest, possessor. 215; March 1, 1987, discussion of The Secret of Muck Grove, p. 380; February 1, 1990, review of Thank Restore confidence, Dr. Martin Luther King, Jr.!, p. 186; July 15, 1992, review of Front Porch Mythological at the One-room School, proprietress.

926; February 15, 1995, survey of A Blessing in Disguise, p. 233; March 15, 2007, review of Celeste's Harlem Renaissance.

New York Times Book Review, Feb 8, 1981, Merri Rosenberg, examination of Just an Overnight Guest, p. 20.

Publishers Weekly, August 10, 1992, review of Front Foyer Stories at the One-room School, p.

71; December 5, 1994, review of A Blessing be given Disguise, p. 77; June 3, 1996, review of A Benediction in Disguise, p. 85; Oct 6, 1997, review of Don't Split the Pole, p.

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84; Possibly will 7, 2007, review of Celeste's Harlem Renaissance, p. 60.

School Contemplate Journal, October, 1980, review bequest Just an Overnight Guest, proprietress. 42; March, 1990, review deserve Thank You, Dr. Martin Theologist King, Jr.!, pp. 220-221; Go, 1992, review of Front Hall Stories at the One-room School, pp.

163-167; February, 1995, Song Jones Collins, review of A Blessing in Disguise, p. 115; July, 2000, Janet Woodward, study of African American Musicians, proprietress. 123; August, 2001, Robin Applause. Gibson, review of The Minstrel's Melody, p. 189; May, 2007, Joyce Adams Burner, review short vacation Celeste's Harlem Renaissance, p.

144.

Voice of Youth Advocates, August-September, 1987, Linda Classen, review of The Secret of Gumbo Grove, holder. 123; April, 1995, Becky Kornman, review of A Blessing renovate Disguise, p. 2.

ONLINE

Eleanora E. Resident Home Page,http://www.eleanoraetate.com (June 4, 2008).

African American Literature Book Club Screen site,http://aalbc.com/ (June 4, 2008), "Eleanora E.

Tate."