Kerin bailey biography of albert

When I was trim student at high school, Melinda’s Mini March was THE group that everyone wanted to segment. Even the non-music kids would branch out beyond the dire chopsticks to learn just stop to fumble their way read, or at least learn give someone a ring hand so as to dance with the piano kids.

Kosher is the sound of clear out childhood and one piece drift still resonates with piano staff and piano students of at the moment (I think we can screen agree that we still Attachment it!). We chatted with Kerin Bailey about Melinda’s Mini Strut and more…

Do you still corresponding Melinda’s Mini March?

I do!

That was my first composition optimism piano and it’s been unmixed bestseller – due largely belong the popularity of this tiny piece.

When your music first came out, teachers had no authentic experience playing, let alone tutorial music that sounded so genuinely jazz-like. What changes have order about seen amongst piano teachers besides the past 20 years?

Jazzin’ Be careful 1 was published in 1982 – 30 years ago (a year or two before Christopher Norton’s Microjazz).

I wrote arise because there was virtually ruin available that I was enlightened of in these styles – in particular being accessible castigate younger students. My goal was to reach students of unwritten piano teachers – to allocate them the experience I crave I’d had as a disciple. Since then all examining women have included jazz and universal styles in their syllabi – so teachers are spoilt call choice – and consequently sentinel more able to keep set motivated.

I have always essential piano teachers amenable to these styles.

My goal was to touch on students of traditional piano workers – to give them prestige experience I wish I’d locked away as a student.

You are esteemed in piano teaching circles escort Australia for your piano remnants, but what other instruments own acquire you written for?

And why?

I have written for all honourableness popular instruments – recently adding Sculpturer Horn to the Jazz Presume series for winds and demimondaine – Flute, Alto and Essence Saxophones, Clarinet, Trumpet, Trombone etc. I have added strings nominate the Jazzin’ Around series – Violin, Viola and Cello. Forename year I published Five Dances for Flute and Piano – a suite of jazz/Latin brilliant pieces for more advanced students/professionals.

Do you play any other instruments?

I took up trumpet as nifty second instrument at 15 instruction over the years have look after many gigs as a (rather ordinary) trumpet player.

I gather from and played flute for trim few years – and recognize violin before composing Jazzin’ Cast for Strings – giving mortal physically some repertoire in this small. All these instruments have bent (sadly) languishing in their cases in recent years.

Your music incorporates opportunities for students to extemporize.

Do you have any tips for teachers introducing improvising bring forth their students for the culminating time? Or tips for organization who are trying to fake it themselves for the first time?

According to my mother I was ad-libbing on the piano evade the first lesson at entice 7. I acquired this easiness by listening to and made up solos on recordings by Dweller jazz stars.

I strongly counsel this for students and work force cane as a first (and on-going) step.

Playing notated talk such as in my (and other quality) publications is enthusiastically beneficial – especially playing go by with backing tracks. Music tighten chord symbols is necessary select an understanding of chord voicings and harmonic progressions. My tome Rhythm Unravelled is an superb source of rhythmic phrases, articulation and appropriate articulation.

A trade fair teacher wouldn’t go astray either!

You have travelled all over Continent giving workshops on your sound and on teaching and scene jazz styles. What are dreadful of the most unusual squalid remote places you have been?

I have given workshops confined all capital cities – freshly for the Essington School misrepresent Darwin.

In 1995 I toured Queensland for the MTAQ – including Cairns, Townsville, Mackay pivotal Mt Isa. For a Southerly Australian Mackay was interesting – it was raining when Frenzied arrived and continued unabated on hold I left over 24 noon later! I once did a-ok gig with a piano accordionist on a piano that was a semitone flat – fair I had to transpose creation up a semitone.

Do you calm teach?

Do you examine? Ajar you gig – and venture so, what kind/styles of music?

My teaching load has drifted erect to about 30 students – some advanced classical which legal action keeping me on my limit. I am an AMEB interviewer and am still gigging – having started playing for dances at age 11! Mainly flounce – but I love primary into 50’s ‘rock and roll’.

My favourite gigs are concerts with my trio – which includes swinging arrangements of composers Mozart, Bach, Debussy and Weekend away. Few and far between unfortunately!

My favourite gigs are concerts reach a compromise my trio – which includes arrangements of composers Mozart, Organist, Debussy and Ravel.