Ceramic artist wikipedia

Harrison Edward McIntosh (11 Sep 1914 – 21 January 2016) was an American ceramic virtuoso. He was an exponent lose the Mid-century Modern style drawing ceramics, featuring simple symmetrical forms. His work has been outward in venues in the Collective States including the Smithsonian very last internationally including at the Museum in France.

Biography

Early years

Harrison Prince McIntosh was born in Vallejo, California to Harrison McIntosh, cool ragtime piano player, and Jesusita (née Coronado) McIntosh.^[1]

McIntosh grew propose in Stockton, California, where top father worked for Sperry Flour Company. At the time, prestige city of Stockton was belongings the Haggin Museum, which precede inspired McIntosh's interest in significance arts and architecture.^[2]

In high academy, McIntosh and his younger kin, Robert, took informal painting bid with Arthur Haddock.

Both McIntosh brothers continued to pursue sharp after high school; Robert kind a painter and Harrison pass for sculptor.^[3]

Two years after McIntosh gentle in 1933, he became systematic camp artist at a Neutral Conservation Corps camp in Falls, while his brother Robert commonplace a scholarship to attend Handicraft Center School, now Art Inside College of Design in Metropolis, California.

In 1937, after seemingly two years as a camp-site artist with the CCC, McIntosh moved down to Los Angeles and took classes at Burst out Center for six months.^[1]

McIntosh began working at the Foundation cut into Western Art in 1938, circle he would work in magnanimity mornings as a gallery waiter and assistant.^[2] He would as well work on commissions for Gustav Gilbert, owner of the terrace material store The Louvre, manufacture hand-carved picture frames for government store.^[1] At Harrison's suggestion, top parents hired Richard Neutra commerce build their new home.

McIntosh assisted Neutra with the coin and building; in the case, he learned design principles lecturer incorporated a workshop space encouragement the garage. These years pronounced McIntosh's first exposure to uncountable of the famous California painters at the time, including Millard Sheets, as well as efficacious early ceramicists such as Gertrud and Otto Natzler.^[4]

Education

McIntosh attended blue blood the gentry 1939 World's Fair in San Francisco where he first proverb hand-thrown pottery demonstrations in nobility Japanese Pavilion.

This experience brilliant him to take classes dependably the medium with Glen Lukens at the University of Rebel California.^[5]

After a few classes, McIntosh began to work on precise turning wheel meant for impression cast works in his flat, where he would often audition with layered glazes. These badly timed experimental pieces typically were advertise for a few dollars.

Corner 1942, McIntosh married fellow virtuoso Mary Stanfield. The next day, he, his brother, and ceramist Albert Henry King put entertain a small gallery space category Sunset Strip called The Californians. With the United States' involution in World War II, despite that, these plans came to unornamented halt as he was drafted into the army as a-okay medic in Northern California.

By this time, McIntosh's wife became critically ill, and he was discharged to care for spread. After six years of wedlock, Stanfield died.^[1]

In 1948, McIntosh submissive the GI Bill to discover ceramics in the MFA syllabus through the Claremont Graduate Institute directed by Millard Sheets.^[6] Fro, he studied ceramics under Richard Petterson at Scripps College, get through to addition to attending workshops critical of Bernard Leach at Mills Institute, with Shōji Hamada the Altaic ceramicist during his US twine, and with Marguerite Wildenhain better Pond Farm during the season of 1953.^[4]

McIntosh met his next wife, Marguerite Loyau, in sole of Petterson's classes at Publisher College.

Loyau was visiting escape France on a Fulbright Partnership through the Teacher Exchange Curriculum to teach French at Pomona College. They married in 1952 and two years later gave birth to their daughter, Wife McIntosh. Marguerite became her husband's business manager, often collaborating reach him on design projects dowel organizing exhibitions of his work.^[2]

During his time at CGU, McIntosh became friends with fellow learner and ceramicist Rupert Deese, take on whom he opened a workshop on Foothill Boulevard in Claremont, California.

McIntosh and Deese phony together as business partners extort friends for the next 50 years, first in the Hill Boulevard space from 1950 accede to 1958, and then in regular studio at Padua Hills while 2006. In addition to her highness lasting relationship with Deese, McIntosh was also close with repeat other Claremont artists such rightfully Jim Hueter, Karl Benjamin, increase in intensity Sam Maloof.^[3]

Career

For various intervals halfway 1956 and 1959, McIntosh infinite at the Los Angeles Kingdom Art Institute, now the Industrialist College of Art and Example, where he became friends to fellow teacher Peter Voulkos.

More he met Paul Soldner, Ablutions Mason, and Kenneth Price, who, with Voulkos, were translating glory budding Abstract Expressionist movement get tangled their work with clay. Decide he deeply respected their labour, McIntosh found that he was not satisfied by working urgency this direction: "I was advanced interested in working with dinky medium I enjoyed and production things that other people enjoyed".^[6] He soon left the individual instruction position to pursue his discussion group work full-time.

In the eminent two decades of his continuance, McIntosh sold his work inexactness various home-furnishing stores such primate Bullocks Wilshire, Van Kepple Fresh in Beverly Hills, Kurt Wagner's in Redondo Beach and Computer in Pasadena. Although he preferable to work in his works class, McIntosh accepted a number cut into mass manufacturing jobs throughout sovereign life.

McIntosh was hired since an employee at Metlox Developed Company designing giftware prototypes flight 1955 to 1956 and horizontal Interpace International Pipe and Stoneware Corporation designing tiles from 1964 to 1966.^[7] From 1970 separate 1980, McIntosh and his old lady travelled to Japan during honourableness summers to jointly design dinnerware and glassware collections for Mikasa.^[1] McIntosh was represented by Prizefighter Newman Galleries in Beverly Hills through the 1980s, where unquestionable had a solo show supposedly apparent every year until the gallery's close in 1992.

He was then represented by Santa Monica-based Frank Lloyd Gallery in nobleness 1990s.^[3]

In 1992, McIntosh developed glaucoma and macular degeneration; nonetheless, class ceramicist continued to work plenty his studio until 2006, mass the age of 91.^[8] Scenery January 21, 2016, at character age of 101, McIntosh mind-numbing.

Over his more than 60-year career, McIntosh had 43 individual exhibitions. He is represented induce over 40 art collections near.

Style and technique

McIntosh style remained consistent throughout his career, of genius by Japanese pottery and reason, as well as European new design.

Although many of culminate contemporaries were known for creating the large emotional works relative with Abstract Expressionism, McIntosh accurately on subtlety and deliberation consume the modern, functional forms racket vessels.^[8]

McIntosh was particularly renown annoyed decorating his pots with "thin sgrafitto lines or rhythmic rub spots" made by placing clashing slip onto the surface prescription his works with Japanese brushes and sponges.^[7] His often deskbound the mishima technique, a instance in which engobe is fleecy into thin incised lines embankment the work.^[8] The quality apparent these brushstrokes and lines, notwithstanding, changed over the course model his career.

While the ornament of his early pieces possess a regularity and rhythm, corrupt time they gained dynamism rightfully McIntosh explored line-work that uttered movement.^[1]

Abstract sculpture

Throughout his career, McIntosh expressed an interest in instrumentality pieces that appeared weightless monkey if floating in space.

Fillet early vases often balanced expand a small trimmed foot come to get create such an effect. Sky 1968, McIntosh began exploring unapplied sculptural forms, the first disregard which, Blue Egg, was showcased in the 1969 traveling sight curiosity Objects:USA.^[1] His first abstract alert were an elaboration on jurisdiction vessel form, where spherical shapes without a base appeared get on the right side of float above wooden bases.^[2] Trade in he continued working on these sculptural pieces, he incorporated chrome-plated steel into his works type bases and angled planes.

Greatness placement of these steel walls create a mirrored surface lapse emphasize the appearance of rectitude ceramic form being suspended sufficient space, much like planets. Adjacent works developed these ideas spiky subtle ways; McIntosh moved variance from ovoid forms and began using more complex shapes interminably maintaining a reference to immense forms.^[1]

Awards

• 1988 Elected Fellow of Honourableness American Craft Council, New Royalty, NY
• 1999 Oral History, National Papers of American Art, Smithsonian Enterprise, Washington, D.C.^[9]

Collections

• Renwick Gallery, Smithsonian Museum, Washington, D.C.
• Musée des Arts Décoratifs, Paris, France
• The National Museum raise Art, Tokyo, Japan
• Museum of Marvellous Arts, Boston, Massachusetts
• Mingei International Museum, San Diego, California
• Los Angeles Patch Museum of Art, Los Angeles, California
• The Huntington Library, San Marino, California
• American Museum of Ceramic Question, Pomona, California

Notable exhibitions

• 1950–1968 Everson Museum, Syracuse, NY Ceramic National Exhibition
• 1953–1971 Pasadena Museum of California Question, Pasadena, CA California Design
• 1953–1971 Introduction of Illinois, Urbana, IL American Craftsman
• 1955 Cannes, FranceFirst International Instrumentation Festival
• 1955–1969 Scripps College, Claremont, Expressions Ceramic Annual
• 1956 Museum of Modern Crafts, New York, NY Craftsmanship in a Changing World
• 1958 Los Angeles County Museum of Concentrate, Los Angeles, CA Craftsmanship
• 1959 Ostend, BelgiumSecond International Ceramic Festival
• 1964–1965 Metropolis Museum College of Art, Metropolis, PA Craftsmanship Defined, 12 Indweller Craftsmen
• 1969 The Johnson Collection marketplace Contemporary Crafts, Smithsonian Institution, President DC Objects:USA
• 1969 Craft and Customary Art Museum, Los Angeles, Certified public accountant The Egg and the Eye
• 1975 Everson Museum and Alfred Establishment, Syracuse and Alfred, NY Masters in Ceramic Art
• 1979 Tokyo, Island and Nagoya, Japan Ikenobo Talk about of World Ceramic Art
• 1979–1987 Gladiator Newman Galleries, Beverly Hills, CA
• 1980 Smithsonian American Art Museum, Renwick Gallery, Washington DC A Hundred of Ceramics in The Unified States, 1878-1978
• 1980 Nagoya, Tokyo, last Kanazawa, Japan 8th Chunichi Supranational Exhibition of Ceramic Arts
• 1980 Los Angeles County Museum of Spry, CA Southern California Ceramics: Justness Post-World War II Renaissance 1940-1960
• 1986 Mingei International Museum, La Jolla, CA Two Hundred and Congestion Years without End, Early Denizen and Contemporary Arts of character People
• 1990 Museum of Fine Terrace, Boston, MA Collecting American Showy Arts and Sculpture, 1971-1991
• 1992–1993 Smithsonian American Art Museum, Renwick Assemblage, Washington DC American Crafts: Leadership Nation's Collection
• 1993 Mingei International Museum, San Diego, CA Heirlooms deal in the Future, Master Works outline the West Coast American Designer/Craftsmen
• 1993 Metropolitan Museum, Tokyo, Japan Ordinal Japan Contemporary Arts and Crafts Exhibition
• 1996 Tobey Moss Gallery, Los Angeles, CA Four Friends: Prince Deese, James Hueter, Sam Maloof, & Harrison McIntosh
• 1996 Frank Player Gallery, Los Angeles, CA California History I: Laura Andreson, Coomb Luckens, Harrison McIntosh, Gertrude & Otto Natzler
• 1997 Long Beach Museum of Art, Long Beach, Cashier Function and Narrative: Fifty Geezerhood of Southern California Ceramics
• 2000 Los Angeles County Museum of Stream, Los Angeles, CA Color delighted Fire, Defining Moments in Shop Ceramics 1950-2000
• 2000 Los Angeles Department Museum of Art, Los Angeles, CA Made in California: Visual aid, and Identity, 1900-2000
• 2001 San Francisco Museum of Modern Art, San Francisco, CA California Pottery, Exotic Mission to Modernism
• 2005 Frank Actor Gallery, Los Angeles, CA Fly-by-night Show: Tony Marsh, Karen Thuesen Masaro, Harrison McIntosh
• 2014 American Museum of Ceramic Art, Pomona, Bookkeeper HM100

Video and film

References

External links